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Silk Short Tailed Dagged Hood
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Product Options
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- Based on contemporary artwork and extant garments
- No visible machine stitching
- Made in 100% Raw Silk
- Available in a medieval palette of jewel tones to coordinate with our silk gowns and reversible cottes
- All interior seams enclosed
- Flattering and authentic fit
- One size fits most
- Designed to be closed with your own pin so you can accessorize to match your outfit
- Color combinations: Reversible Raw Silk - Green/Black, Red/Black, Green/Blue, Blue/Red, Blue/Black, Purple/Black, Periwinkle/Gold, Golden Brown/ Dark Brown and Olive/Dark Brown
- Completely reversible so you get two distinct looks for one low price
- Price: $59.95

Head-coverings were a critical component of dress in the Middle Ages. Hoods were common with men and women of all classes, and came in a wide variety of forms: long and short tailed, dagged or straight hems, either pull-over or with an open front that was buttoned or pinned closed. Only the sumptuousness of the fabric, elaborateness of the dagging, or extreme length of the tail distinguished the hood of a duke from that of a villein. Men wore their hoods alone or with a plain linen coif beneath or a hat over, while women seem to have worn the hoods alone or with a wimple. Our dagged, short-tailed, reversible silk hood, offered in a palette of medieval jewel tones that matches our silk cottes and gowns. Generally speaking, hoods with shorter tails were most common in earlier medieval periods and amongst lower and middle classes through the fifteeenth century. Since it is fully reversible it is like having two hoods in one! The open front can be fastened with a badge so that you can accessorize to match your outfit. You also can leave it open and turn back the front, revealing the contrast lining, as women often did later in the fourteenth and early fifteenth centuries. |
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 Left: Blue and Black Dagged Hood shown with our Burgundy Linen Gown

 Reversible Raw Silk Colors: Red/Blue, Black/Green, Black/Red, Green/Blue, Blue/Black, Purple/Black, Periwinkle/Gold and Olive/Dark Brown
Note: Due to the difficulty of representing colors accurately on a variety of monitors we've included color descriptions along with our swatches. Please use both when deciding on what color to order. Also, despite how the colors may appear on your monitor the same color names in Silk and Linen are different and do not exactly cooridinate.
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Red - a darker red with rust undertones Forest Green - a rich, bright jewel tone Blue - a brilliant bright blue Purple - a deep rich purple Periwinkle - a medium blue w/lavender undertones Golden Brown - a rich, darker gold Olive Green - a medium, softer green Dark Brown - a rich reddish brown that has a burgundy cast to it
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Drawing after a detail of the 'Book of Hunting' of Gaston Phobeus, MS. francais 616, circa mid 14th century in the Bibliotheque National, Paris, France |
Drawing after a detail in the Lutrell Psalter circa 1340 British Museum, London, England |
Drawing after a Omne Bonum an Encyclopedia of Canon Law circa late 1340s |
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Drawing after a detail of the Romance of Alexander, MS. Bodley 264, c. 1344 in the Bodeleian Library, Oxford, England |
Drawing after Status de L'Ordre du Saint Esprit, MS. fr. 4274, c. 1353 in the Bibliotheque National, Paris, France |
Drawing after a detail of an illuminated MS fr. 364 fol. 197r. c.1315 in the Bibliotheque National, Paris, France |
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Drawing after a detail of the painted ceiling in the Hall of Justice c. 1354 in The Alahambra, Granada, Spain |
Drawing after a detail from a 15th c. MS in The British Museum, London, England |
Drawing after the Bourgeouise of Mans, c. 1362 in the Bibliotheque National, Paris, France |
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Drawing after a detail in the Romance of King Meneleas c.1364-1380 in the British Museum, London, England |
Drawing after the Viconti Hours circa 1390 in The National Library, Florence , Italy |
Drawing after Le Tres Riches Heures of Jean Duc de Berry c. 1413 in the Bibliotheque du Musee Conde, Chantilly, France |
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Drawing after the Maciejowski Bible c. 1250 in the Pierpont Morgan Libary, New York, USA |
Drawing after 'Les Chroniques de Saint-Denis' MS Roy.20 CVII, circa early 15th c. in the British Museum, London, England |
Drawing after a detail in the Lutrell Psalter circa 1340 British Museum, London, England |
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