From
the Pen of History: Jean, Duc de Berry

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The
late fourteenth and early fifteenth centuries in France are best remembered for
the instability of plague, warfare and the madness of King Charles VI. But
amidst this cultural upheaval, the royal Valois family also produced one of
European history's great patrons of art, whose sponsorship of the famed
Limbourg brothers has left us two of the most lavish and "definitive"
illuminated Gothic manuscripts to survive the centuries: the Belles Heures (New York, The
Cloisters) and the Tres Riches Heures (Chantilly, Musee Conde). While these two
manuscripts are the most famed medieval Books of Hours – an illuminated
collection of texts, prayers and psalms, often with appropriate decorations,
for Christian devotion – and have been repeatedly printed in facsimile
editions, their patron was no less extraordinary himself.
Jean,
Duc de Berry, was the third son of Jean II, called "the Good", King of France
(reigned 1350-1364), who is perhaps best known as the French monarch captured
at the disastrous Battle of Poitiers. His namesake was born on November 30, 1340, in the Chateau de
Vincennes, the younger brother of King Charles V (reigned 1364-1380) and Louis
I Duc d'Anjou, and the older brother of Philippe le Hardi, Duc de Bourgogne. The
duke's nephews were the unfortunate, schizophrenic King Charles VI (reigned
1380-1422) and Louis, Duc d'Orleans.
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His
childhood was largely spent during the heated first phase of the Hundred Years
War, and as a prince of the blood, Jean trained diligently in the discipline of
arms. With his father's defeat and capture at Poitiers, he and his brothers had
ample opportunity to test those skills, and his gift of command, in the field. In
1360 he received the duchies of Berry and Auvergne from his father, recently
ransomed back from England. The truce did not hold, and Jean was again in the
field. In 1369 he recaptured Poitou from the invaders and it was bestowed to
him as an additional fief by his brother Charles, now King Charles V. The duke
married twice. The first was to Jeanne d'Armagnac and coincided with the
receipt of his duchies in 1360. Jean outlived his wife, and he remarried in
1389 to Jeanne de Boulogne.
Although
the Duc de Berry owned vast swathes of France his love of luxury exceeded even
the wealth of his estates. A lover of beauty and great patron of artists he built
sumptuous buildings, collected rare jewels and elaborate treasures, dressed
richly and commissioned his famed illuminated books. But his urge to collect
went beyond the famed jewels, tapestries and books in his collection. One of
Jean's most prized "collections" was his menagerie, which included camels,
bears, ostriches, and at one point, a pair of lions. A number of these animals,
such as the Pomeranians and the camels, appear in the Tres Riches Heures. He had a particular
love of bears and swans, which he used as personal emblems, and his bears and
their keeper followed the ducal court on all of his travel. The fierce
creatures were said to "follow him like loyal hounds".
| The ducal court was constantly on the move, traveling between the seventeen palaces,
townhouses and chateaus he owned throughout his estates, and within and around
Paris. A number of these figure prominently as backdrops in the Tres Riches
Heures.
Favorite artisans and craftsmen became permanently attached to the court, and
Jean was famed not only for their presence, but for the collegiality he shared
with them. It was not uncommon for the duke to take a meal with a favorite
goldsmith, or to engage in a debate of verse with one of his poets or
musicians. In the Chronicles, Jean Froissart describes the duke as often
deeply engrossed in brainstorming with his painter and master sculptor, Andre
Beauneveu.
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Yet
this luxury came with its own price, for Jean was living in a time of constant
upheaval at all social levels of the kingdom. The political turbulence in
France, first during his royal father's capture, and later, during his nephew,
Charles VI's, deteriorating sanity meant that the great dukes found their
already vast powers greatly expanded as the management of the kingdom
fractured. Although having proven his skill at arms, Jean was a conciliator by
nature, and during his nephew's monarchy, he focused his efforts on trying to
achieve a meaningful peace with the English and ending the ongoing feud between
the duchies of Burgundy and Orleans, which had destabilized the kingdom as
surely as had the English conquests. As if these peace embassies were not
enough, the duke also tried his own hand at ending the Great Schism of the
Papacy, in which he proved just as ineffective as every other prince and
cardidnal.
But it was the feud between the French great houses that would mark the final
years of the Duc de Berry's life. Louis d'Orleans was murdered in 1407, leaving
his rival in Burgundy unchecked. Jean had no choice but to commit himself
politically to counter the Burgundians. His rank and prestige made him the
titular head of the anti-Burgundian "Armignacs."
Unfortunately,
while Duc Jean may have seen himself as defending the crown and the Isle de
France, the Armignacs were hated by the Parisians, and in 1411 a mob ransacked
first his Paris residence, and then his country estate, Chateau de Bicetre, on
the outskirts of the city. By the following year, the Burgundians had driven
through his estates and had him besieged in Bourges, his capital. The siege
progressed badly for Berry and he took refuge in the cloister of Notre-Dame to
negotiate a truce with his Burgundian cousin.
Burgundy
had eliminated one rival and brought the other to heel, but the larger effect
was to leave the French lords even more factitious than normal, just as the
young Henry V of England prepared to invade the continent. Duc Jean was still
restoring his holdings when the Harfleur campaign began, ending in the stunning
French disaster at Agincourt in 1415.
The Duke died shortly thereafter, on June 15, 1416, in the Hotel de
Nesle, contemporaries ascribing his sudden decline and death to a heart broken
by years of internal feuding and the fateful blow dealt by the fall of French
chivalry to death or capture at Agincourt, including his grandsons, Charles
d'Orleans and the Comte d'Eu.